Welcome!


Welcome!




 © Hannelore Van Dijck, Untitleld, houtskool op papier, 29,7 x 21 cm (2012)


Hannelore Van Dijck (°1986, Wuustwezel) woont en werkt in Berlijn en Wuustwezel. Ze is verbonden aan Galerie Zink, waar ze onder de titel Wenn sich der Nebel hebt in 2013 voor het eerst solo tentoonstelde. Daarnaast toonde ze onder andere werk in Voorkamer, Croxhapox en BePart. Ze maakt houtskooltekeningen waarin ze binnen het nauwe contact met het materiaal zoekt naar ruimtelijkheid, licht, structuren en tastbaarheid.



 © Hannelore Van Dijck, Untitled, houtskool op papier, 42 x 29,7 cm (2012)



In 2012 publiceerde Posture Editions So grün war mein Tal, een boek dat een selectie van haar in situ tekeningen bijeenbracht. Deze tekeningen zijn tijdelijke installaties die de architectuur betrekken en herdefiniëren. Al tekenend probeert ze een nieuwe plaats te creëren en een nieuwe duiding te geven aan de oorspronkelijke locatie. 




© Hannelore Van Dijck, Untitled, houtskool op papier, diptiek 100 x 70 cm & 100 x 70 cm


 © Hannelore Van Dijck, Le Plat Pays, in situ houtskooltekening (2012)


 © Hannelore Van Dijck,Rain, in situ houtskooltekening (2011)



© Hannelore Van Dijck, Sea, in situ houtskooltekening (2012)









Benjamin Monti is a young artist, living and working in Liège. He is represented by Galerie Nadja Vilenne. His work has been widely exhibited internationally. He recently had an exhibition at Le musée lanchelevici in La Louvière. Monti situates his own work “at the crossroads of text, graphic art and the fine arts."




 © courtesy Galerie Nadja Vilenne, Sans titre (méduse), encre de chine sur papier trouvé, 22,7 x 14,5 cm (2010)


Monti's work explores dialogues between drawing and text in the form of the graphic novel or private diary. His drawings can be seen as “suspended moments”, as fragments from stories in progress.A specialist at recycling images, he takes human beings, beast and plants out of their original context and inserts them back into the realm of the paper as strange, weightless figurants.






LECTURE
Sint Lucas Antwerp, Kerkstraat 45
2014, Wednesday March 19 
18:30, free entry


Andy Hope 1930



 © Andy Hope & Hauser & Wirth, Medley 6Acrylic on canvasboard, 60 x 60 cm / 23 5/8 x 23 5/8 in (2011)




Hope is inspired by superheroes from the Golden and Siver Age of Comics. Futuristic objects as spaceships, laser beams and fantastic uniforms are part of his oeuvre. Flash Gordon, Batman, Superman and Wonder Woman are part of his world. 




© Andy Hope & Hauser & Wirth, Medley 14, Acrylic on canvasboard60 x 60 cm / 23 5/8 x 23 5/8 in (2011)



© Andy Hope & Hauser & Wirth, Medley 11, Acrylic on Canvasboard, 60 x 60 cm / 23 5/8 x 23 5/8 in (2011)


Leen Voet starts her lecture with the words: 
I will show 142 images. I love completeness. In that sense I am a freak. 



© Leen Voet, Jardin Gregoire Drawing, pencil on paper, H 21 x W 29,7 cm (2006)

Sometimes she was working on a A4-drawing for 6 hours. To draw was a method to visualize her future paintings and to think intensively. She filled every piece of the compositions with a unique hatching. 



© Leen Voetdrawings by Leen Voet, published by Grotto & Grafische Cel, designed by Michael Bussaer & Inge Ketelers, supported by research Fund Sint-Lucas Visual Arts Ghent, 775 pages, 21 x 29,7 cm, b/w offset on Munken Lynx (2012)

Sometimes she hated the work of Felix, the empty gaze in his self-portraits. She underestimated the impact of exclusively drawing his work for two years. She lived almost the life of someone else via his work. After all she made 1 drawing of each of the 774 works of Felix De Boeck the museum sent her. The works were made respecting the same proportions as the works of De Boeck. In the first drawings the graphite was darker. Sometimes a drawing was made very quickly, sometimes painfully slowly.  




© Leen Voet, FELIX, Series of 774 drawings, pencil on A4 paper (2009-2010)




© Leen Voet, series of 11 drawings after logos of art colleges, color pencil on A4 paper (2012)


© Leen Voet, SINT-RITA, Jesus Arbeider, Sint-Rita, Sint-Alena, Sint-Bartholomeus, Sint-Pius X, series of 5 paintings on wooden tripods, oil on unstretched canvas, H 216 x W 168 cm (2012-2013)


Marcel Van Eeden talks about the wonderful coincidence that his Be-Part-exhibition in Waregem travels to Gladbeck in Germany, probably one of the rare exhibition spaces with the same semicircular concrete wall as in Be-Part.

© Be-Part Waregem, N 50 51 40.9, E 3 24 1.3

Quotes from the lecture of Marcel Van Eeden:

"Everything is connected to one and the same idea."

"Drawing is making a paper dirty."

"I'd like to make works referring to the time before my birth for the rest of my life. It is as preparing the time I won't be here anymore, the senseless future. It is a senseless complaint, but I am happy with it, that's what it is all about."




Marcel van Eeden





© Marcel van Eeden, (1996) zonder titel, negropotlood op papier, 19 x 28 cm (2006)


© Marcel van Eeden, Sammlung Boryna, Hans KomorzynskiCrunchy coconut, Öl, 50 x 72 cm, 2009



© Marcel van Eeden

Jorinde Voigt


© Jorinde VoigtWV 2013-117 C.G. Jung „Die Auflösung des Bewusstseins“ C.G. Jung/ Wilhelm Das Geheimnis der Goldenen Blüte Matrix I, 140 x 246 cm, Tinte, Bleistift, Ölkreide, Pastell, Blattgold, auf Papier (2013)



© Jorinde Voight, Courtesy David Nolan Galery, Blickwinkel - Study 14, ink and graphite on paper, 58 x 78 cm (2008)



© Jorinde Voight, Courtesy David Nolan Galery, Nexus, Ink, oil crayon, pencil on paper, 258 x 208 cm (2010)


Julie Mehretu (at the Biennale in Venice)


© Julie Mehretu & Marian Goodman Gallery, Co-evolution of the futurhyth machine (after kodwo eshun), graphite, ink and acrylic on canvas9 X 10 FT. (2.74 X 3.05m) (2013)


 © Julie Mehretu & Marian Goodman Gallery, Insile, ink and acrylic on linen, 9 x 12 FT. (2.74 x 3.66 m) (2013)


© Julie Mehretu & Marian Goodman Gallery, Ra 2510, graphite, ink and acrylic on canvas, 8 x 12 ft. (2.44 x 3.66 m) (2013)



Stephan van den Burg

© Stephan van den Burg, untitled (flatgrid4), 2013  








© Stephan van den Burg, untitled, 2012




Silvia Bächli

 
© Silvia BächliGalleria Raffaella Cortese, Milano, 2013



© Silvia BächliWhat About Sunday, MK Gallery Milton Keynes, 2013



© Silvia Bächli, Farbiges Zimmer, 2010–2011



© Sofie Vanderlinden, Zandstraat, 140 x 130cm, 2011



© Sofie Vanderlinden, installation, 2011




 © Sofie Vanderlinden, my street, 20 x 30 cm, 2009



© Sofie Vanderlinden, Rabot 2, 3 x A4, 2011 



HERE & THERE
soloshow geukens & de vil antwerpen
open 06.09.13-12.10.13

'AT RANDOM'
groepshow CC de steiger menen
open 08.09.13-13.10.13

IK ZIE IK ZIE
groepshow CIAP hasselt
met ellen schroven, véronique alberghs en hilde overberg

werkperiode lokaal 01 antwerpen
vanaf 09.09.13
publiek gesprek olv roos euwe op 02.10.13
opening op 10.10.13




Drawings at the Biennale in Venice

© KP Brehmer: Seele und Gefühl eines Arbeiters, (Soul and Feelings of a Worker), drawing/collage, 1 piece of 12, 42 x 29.8 cm (1978-80)




© KP Brehmer: Farbengeografie 1, Lokal von Blauwerten, silkscreen on polyester (1969)




© KP Brehmer, Farbgeographie Rot-Rosa, etching on Buetten paper, numbered and signed on the front, edition of 300, 45 x 32 cm (1971)