Leen Voet starts her lecture with the words: 
I will show 142 images. I love completeness. In that sense I am a freak. 



© Leen Voet, Jardin Gregoire Drawing, pencil on paper, H 21 x W 29,7 cm (2006)

Sometimes she was working on a A4-drawing for 6 hours. To draw was a method to visualize her future paintings and to think intensively. She filled every piece of the compositions with a unique hatching. 



© Leen Voetdrawings by Leen Voet, published by Grotto & Grafische Cel, designed by Michael Bussaer & Inge Ketelers, supported by research Fund Sint-Lucas Visual Arts Ghent, 775 pages, 21 x 29,7 cm, b/w offset on Munken Lynx (2012)

Sometimes she hated the work of Felix, the empty gaze in his self-portraits. She underestimated the impact of exclusively drawing his work for two years. She lived almost the life of someone else via his work. After all she made 1 drawing of each of the 774 works of Felix De Boeck the museum sent her. The works were made respecting the same proportions as the works of De Boeck. In the first drawings the graphite was darker. Sometimes a drawing was made very quickly, sometimes painfully slowly.  




© Leen Voet, FELIX, Series of 774 drawings, pencil on A4 paper (2009-2010)




© Leen Voet, series of 11 drawings after logos of art colleges, color pencil on A4 paper (2012)


© Leen Voet, SINT-RITA, Jesus Arbeider, Sint-Rita, Sint-Alena, Sint-Bartholomeus, Sint-Pius X, series of 5 paintings on wooden tripods, oil on unstretched canvas, H 216 x W 168 cm (2012-2013)


Marcel Van Eeden talks about the wonderful coincidence that his Be-Part-exhibition in Waregem travels to Gladbeck in Germany, probably one of the rare exhibition spaces with the same semicircular concrete wall as in Be-Part.

© Be-Part Waregem, N 50 51 40.9, E 3 24 1.3

Quotes from the lecture of Marcel Van Eeden:

"Everything is connected to one and the same idea."

"Drawing is making a paper dirty."

"I'd like to make works referring to the time before my birth for the rest of my life. It is as preparing the time I won't be here anymore, the senseless future. It is a senseless complaint, but I am happy with it, that's what it is all about."




Marcel van Eeden





© Marcel van Eeden, (1996) zonder titel, negropotlood op papier, 19 x 28 cm (2006)


© Marcel van Eeden, Sammlung Boryna, Hans KomorzynskiCrunchy coconut, Öl, 50 x 72 cm, 2009



© Marcel van Eeden

Jorinde Voigt


© Jorinde VoigtWV 2013-117 C.G. Jung „Die Auflösung des Bewusstseins“ C.G. Jung/ Wilhelm Das Geheimnis der Goldenen Blüte Matrix I, 140 x 246 cm, Tinte, Bleistift, Ölkreide, Pastell, Blattgold, auf Papier (2013)



© Jorinde Voight, Courtesy David Nolan Galery, Blickwinkel - Study 14, ink and graphite on paper, 58 x 78 cm (2008)



© Jorinde Voight, Courtesy David Nolan Galery, Nexus, Ink, oil crayon, pencil on paper, 258 x 208 cm (2010)


Julie Mehretu (at the Biennale in Venice)


© Julie Mehretu & Marian Goodman Gallery, Co-evolution of the futurhyth machine (after kodwo eshun), graphite, ink and acrylic on canvas9 X 10 FT. (2.74 X 3.05m) (2013)


 © Julie Mehretu & Marian Goodman Gallery, Insile, ink and acrylic on linen, 9 x 12 FT. (2.74 x 3.66 m) (2013)


© Julie Mehretu & Marian Goodman Gallery, Ra 2510, graphite, ink and acrylic on canvas, 8 x 12 ft. (2.44 x 3.66 m) (2013)



Stephan van den Burg

© Stephan van den Burg, untitled (flatgrid4), 2013  








© Stephan van den Burg, untitled, 2012




Silvia Bächli

 
© Silvia BächliGalleria Raffaella Cortese, Milano, 2013



© Silvia BächliWhat About Sunday, MK Gallery Milton Keynes, 2013



© Silvia Bächli, Farbiges Zimmer, 2010–2011



© Sofie Vanderlinden, Zandstraat, 140 x 130cm, 2011



© Sofie Vanderlinden, installation, 2011




 © Sofie Vanderlinden, my street, 20 x 30 cm, 2009



© Sofie Vanderlinden, Rabot 2, 3 x A4, 2011 



HERE & THERE
soloshow geukens & de vil antwerpen
open 06.09.13-12.10.13

'AT RANDOM'
groepshow CC de steiger menen
open 08.09.13-13.10.13

IK ZIE IK ZIE
groepshow CIAP hasselt
met ellen schroven, véronique alberghs en hilde overberg

werkperiode lokaal 01 antwerpen
vanaf 09.09.13
publiek gesprek olv roos euwe op 02.10.13
opening op 10.10.13




Drawings at the Biennale in Venice

© KP Brehmer: Seele und Gefühl eines Arbeiters, (Soul and Feelings of a Worker), drawing/collage, 1 piece of 12, 42 x 29.8 cm (1978-80)




© KP Brehmer: Farbengeografie 1, Lokal von Blauwerten, silkscreen on polyester (1969)




© KP Brehmer, Farbgeographie Rot-Rosa, etching on Buetten paper, numbered and signed on the front, edition of 300, 45 x 32 cm (1971)




Drawings at the Biennale in Venice

Geta Brătescu © Contemporary Art Daily




Geta Brătescu © Contemporary Art Daily



Geta Brătescu © Contemporary Art Daily


Drawings at the Biennale in Venice

Eva Kotatkova, The Re-education, 2011 (création pour la 11e biennale de Lyon). © Blaise-Adilon




Kasper Andreasen transforms registrations of place and time through the gesture of drawing or writing.

© Kasper AndreasenArtist’s book, Amsterdam, 2004, Black marker and screen print (cover), 20 x 29 cm, 200 pp, ed: 10

"Think Straight is an attempt to draw straight lines one after the other across 500 sheets of paper, which were then bound into 10 books of 100 sheets each. Consequently the act of drawing became performative in relation to thinking, as each line is one illustration within a range of possible straight lines; it records what you might call a psycho­geographical space. On the back inside cover is an image of the ‘receipts,’ the marks that were left over on either side of the sheet of paper after repeatedly drawing lines from one end to the other."



© Kasper AndreasenArtist’s book, Amsterdam, 2005, Screen print, 17 x 24 cm, 32 pp, ed: 150

"I Drew Some Names from a Hat is a screen-printed book that brings together drawings by 10 artists. Each contributor was asked to make an original drawing on a piece of film from which the screen prints were then directly made. The contributions include images of landscapes and interiors, portraits, texts, and emblems, and as such they give an overview of contemporary print­making in bookform. Among the contributors were Armando Andrade Tudela, Nathalie Bissig, Tim Braden, Arjan van Helmond, Sarah Infanger, Brede Korsmo, Louis Lüthi, Iwan van’t Spijker. Cover by Will Holder. Initiated by Tine Melzer and produced with Kees Maas."







© Kasper Andreasen, Land Route, Exhibition publication, Atelier Rijksbouwmeester, The Hague, 2010, Offset, 19 x 27 cm, 48 pp, ed: 700


"Land Route is a companion volume to the permanent installation, consisting of a large wall drawing (reproduced on the dust jacket) and a video, that was made for the new reception room at the Museum of Literature in The Hague. A selection of the drawings, sketches, and writings that led to the conception and production of the wall drawing are included, as are stills from the video Psychography, which shows the writing of a series of text-like forms in reverse, a text by Louis Lüthi called ‘Compass Rose’, and documents from the museum’s archive. Designed by Louis Lüthi."





Drawings at the Biennale in Venice


© Patrick Van Caeckenbergh & courtesy Zeno X Gallery
Drawings of Old Trees (summer 2010)
2010(18,5 x 28,6) + (20,2 x 19,2) + (27,3 x 17,0) cm
pentel 120 3DX - 0,5 mm A315 on paper




© Patrick Van Caeckenbergh & courtesy Zeno X Gallery
Drawings of Old Trees (summer 2010)2010(18,5 x 28,6) + (20,2 x 19,2) + (27,3 x 17,0) cm
pentel 120 3DX - 0,5 mm A315 on paper



 © Patrick Van Caeckenbergh & courtesy Zeno X Gallery
Drawings of Old Trees (summer 2010)
2010(18,5 x 28,6) + (20,2 x 19,2) + (27,3 x 17,0) cm
pentel 120 3DX - 0,5 mm A315 on paper